Showing posts with label Seascape. Show all posts
Showing posts with label Seascape. Show all posts

Sunday, 5 November 2017

I Admit it, I'm an Anti Social Photographer!

I think, for those of us who are wildlife or landscape photographers, we each have our own reasons for being so.  For me it’s an interest in wildlife which I’ve had since I was a kid, together with art, something I was always good at, joining up with photography, a subject I took up as an art student at college.  Together, however they make up a third part.  Living and working in a city I find the noise, crowds and even the day to day stupidity and selflessness of people more and more oppressive.

So, going out early in the morning, preferably somewhere remote and quiet, I find relaxing and if you can watch a Fox hunting or a sunrise over the sea, it just makes the moment just that little more special.  Unfortunately it’s hard to avoid people when out and about.  The first below three images were taken in a hide.  Now I normally stay away from these places exactly because they tend to have a lot of people and worst off, photographers.  On this occasion, I was by myself at first but was followed soon after by two photographers who spent most of time talking with intermittent rattling off at full frames per second, at anything that went by. 

Then came in the worst kind of ‘wildlife photographer’.  He was the type who was decked out head to toe in camouflage though clearly never walks more than a hundred or so metres from his car.  He then proceeded to non stop talk about how much gear he had, how many camera’s he had brought over the years, but had to ask ‘how to make the picture on the back screen go bigger’. He later phoned a camera store, hands free so everyone could hear, asking about a Sigma tele lens and talking to the poor woman who answered as if she should have known him personally because he had visited the store before!

Whilst he was doing this and with the other two still talking, a Kingfisher, what they’d seem to be waiting for, landed in front of the hide (below image) for less than a couple of seconds and, possibly scared by the noise, was off.  If everyone had remained quiet they would have heard the call of it before it arrived and maybe managed a picture or so.  With the noise continuing and more people arriving, I left.

I try and avoid other so called, wildlife photographers.  When you go to a hide or even go to online forums and you listen to what they say, they mostly seem to be the same.  They are either gear heads, obsessed with their equipment, the mega pixels, the dynamic range (though often don’t understanding what any of that actually means) or they collect images of wildlife, like a type of modern day stamp collector – the rarer the animal, usually a bird, the better.  Then they will put it up on a forum or Flickr in the hope of fame or adulation. Usually they know or care little for the subject or it’s wellbeing as long as they get the image.  Thankfully, I see little of them out in the actual wilds as that would involve their requiring patience and some skills and knowledge of the subject and with often only a slim chance of success, I’m guessing this would be too much work for most of them.

Images like the below Wagtail was taken at a location I’ve learnt from experience I can find them, but they will normally be spooked by someone nearby, but if you just sit there quietly there’s a chance they will come to you as in this case, a pair of them did, but I was there for nearly an hour.

Landscape photography has it’s own set of problems.  Sunrise is my preferred time but this regularly means lots of dog walkers.  Many of places I go to have restrictions on dogs, such as the location of the two images shot below where, at the time, dogs were not to be using the location or meant to be on a lead.  These were completely ignored.  Not by one or two people but by everyone! So finding a quiet spot without dogs running round you, barking, sniffing your backpack and either the owner shouting at it at the top of their voice or just ignoring what their dog is doing, is nearly impossible.  It also just really spoils a tranquil moment.

And then there’s the dumb questions you get asked.  Your camera is set up on a tripod, it’s sunrise and your pointing the lens towards the sunrise and some bright spark askes what you’re taking a picture of!!  Or ‘are you that photographer who took that picture in the paper’!  And of course there is the ‘that’s a big lens, how close can you get with it’.

So, yes I am an anti social photographer.  I like to get away from people and avoid them when I’m out.  I like the peace and the quietness.  Being out in the woods, waiting patiently for a deer to come by and managing to photograph it without it knowing you were there and achieving an image that might have an technical and artistic merit is a bonus, but if I don’t get anything, that’s ok because I still enjoyed the walk, the exercise and just being out in nature.

Tuesday, 1 March 2016

Sand, Sea and Cold Wet Feet

I’ve spent much of the winter months (weather permitting) working on my seascapes.  At this time of year getting up to photograph a sunrise isn’t too painful – currently sunrise is around 7:00 am.  Allowing for travel and setting up at about 30 minutes before the sun rises, that means getting up in the morning at around 5:00 am at the latest.  Still manageable.  With the mornings becoming lighter by the day, soon it will be a struggle so I’m making the most of the opportunity.  Of course, I do have a bit of a thing about watching the dawning of a new day over the sea.  It never gets tired for me especially when it’s quiet and nobody is about.
 
This weekend it nearly didn’t happen.  The forecast was for low cloud and possible snow but I was going to go out regardless but since I wasn’t going to see the sun I figured I could get there a bit later.  The overcast sky would still produce the kind of subdued lighting suitable for photography.  As it turned out on the morning, I woke up over an hour before my alarm was due to go off so I checked the latest forecast which had now changed to light cloud and so a possible sight of the sun.  This was motivation enough as these might be the last ‘ideal’ conditions, with the tide going out and at just the right time for sunrise. 
 

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The first image is quite blue temptation and the first thought might be to ‘warm it up’ in post processing, but it is as I remember it, though maybe darker as it was about 20 minutes before the sun rose.  As the tide went out I moved along the beach where rocks were starting to reveal themselves, making for a more interesting foreground.  Anyone who has ever taken images of seascapes will know there are a few good reasons for doing so when the tide is going out, one of which are the waves themselves.  If the tide is coming in the waves are more forceful and you risk, literally, getting washed away.  With the tide going out the waves are more gentler, however every now and then a big wave will still come in and by positioning yourself a little distance from the tide line, this is the wave you photograph crashing over the rocks.

Unfortunately, on this morning's adventure, these ‘big waves’ seemed bigger than normal and it wasn’t long before I got my feet completely wet.  I couldn’t leave my camera on the tripod when one of these waves came in for fear it washing it away.  If I took my tripod and camera away then I would have missed the ideal shot (though still did this a few times).  The next two shots below I definitely got my feet wet!  Although initially I did try and move out of the way of one of these waves whilst keeping within grabbing distance of my camera, it didn’t ultimately make any difference and in the end I didn’t bother at all to get out of the way, though not before on one occasion when, surprised by one large wave I instinctively reacted, the weight of my camera back caused me to fall backwards into the wave, where I let off a stream of obscenities, not realising there were a couple of people nearby, beachcombing.

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Despite my feet, legs up to my knees and now, back, were completely soaked and in temperatures around freezing, I persevered.  As sunrise was now due it was clear I was unlikely to have any kind of glowing spectacle as I could only see a slight orange horizon but the cloud formations were a spectacle in themselves and it wasn’t until I got home and could look at some of the images more closely that I could see in the distance some rain storms over the sea. Unfortunately these image, due to their size don’t do justice to scene and it’s best to look at a better sized image here where you can see the storms in the distance.

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After a dozern freezing drenchings later and with the light becoming too bright and harsh I decided to call it a day.  Some attempt was made to dry my feet out.  When I took my boots off I could poor the water out!  Luckily I carry around a small hand towel in my camera bag, just in case so was able to dry my feet off.  Next time though I will remember to bring a spare set of socks.

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Tuesday, 6 October 2015

Sunrises, Moon eclipse and a Deer…sort of

This is my favourite time of year for taking land and seascapes.  It’s getting darker later in the mornings so you can catch the ‘golden hour’ without having to get up at some ungodly hour and yet it’s still mild enough that when you do, your fingers aren't going numb when setting the camera’s controls and you can appreciate the moment in comfort.

The one thing I can’t completely plan for is the weather (even if the forecasting was remotely correct).  I wanted to get a typical red sky sunrise, with my first outing forecasting ‘light’ cloud which could give me a decent chance of ideal conditions.  As I approached the coast and the first signs of light appeared in the sky, I could see that it was in fact thick clouds with the exception of a small clear opening.  This was heading westward to where the sun would rise so I was hoping the timing would be just right and the rising sun would shine through this gap, lighting up the rest of the clouds.

Unfortunately, as I set up my camera it was clear it wasn’t going to arrive in time and it looked like the morning would be a dull event.  Fortunately the distant horizon must have been clear because as the sun started to rise the sky lit up a glowing red, followed by orange, the sun peaked over the horizon and, for barely a few minutes, it was gone, hidden under the blanket of clouds.

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06:54 – for a few minutes there were various shades of red as if a great fire was in the distance

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06:58 – followed by the horizon lit up by a glowing orange

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07:01 – the sun appeared

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07:04 – and then it was gone

As I walked up the beach I noticed that the now larger gap in the clouds, now looked like it might offer a picturesque image yet as rays of light started to shine through.  Unfortunately, I didn’t really have anywhere along this part of the beach that had an interesting foreground so couldn’t really get the kind of image I had hoped for.

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The following week on every week day, there was clear skies but fog which gave some amazing light – but I was working so couldn’t take any photographs.  The weekend was forecast as cloudy but light cloud and the continued fog, so I ventured out in hopefulness again, in search of a spectacular mornings light.

But it wasn’t to be.  It was heavy cloud and not a sign of the promised fog.  No sun, no red or orange light in the sky, so I took what images I could under the circumstances but nothing of any real interest.  Monday, back to work and the sunrise was again, a spectacular sight!

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In between the two weekends was an event many would have slept through.  The earth eclipsing the moon, giving it an eerie orange glow.  I hadn’t really planned anything for this so ended up taking these images from the back of my house, starting just after 2:00am for an hour.  I know when you take pictures of the moon you expose for its brightness which in this case was around 1/500th of a second.

As I said, I hadn’t planned on photographing this so didn’t know what to expect or researched any techniques.  As the moon slowly disappeared under the eclipse, is seemed from the naked eye that the moon was gone but through the lens I could still see the moons outline and shape which slowly turned a faint orange colour, slowly becoming brighter and with a slight white crescent.  Taking a picture of this proved to be difficult as now the moon needed a longer exposure, no longer being its typical bright white.  It’s very deceptive how quick the moon arks across the sky so even an exposure of a few seconds resulted in a slightly blurred image as the moon had moved during that time.  The other thing I hadn’t anticipated was the houses opposite and the moon not only moving high across the sky but dipping down.  I managed one photograph of it before the houses started to obstruct my view, so I couldn’t get a few practice shots off to get the best results.

It was very disappointing that I couldn’t see the event all the way through and see the moon return again to it’s full, brightness, but it was still an amazing thing to see, watching the moon be eclipsed and then turn orange.  It’s an event that’s not supposed to happen again until another 18 years I believe.

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Prior to all the above events, a trip to the woods produced little luck.  Plenty of sightings but the above image being the only thing caught on camera and not really a ‘keeper’.

Whist the first morning rays hit the woodland floor, a small patch lit up along a path.  I set my lens on this spot, sat there looking through the viewfinder and thought to myself wouldn’t it be great if a Rod Deer just walked into this spot right now.  No sooner had I finished thinking that, then a Roe Deer ran right across that exact spot!  Even if I had been quick enough to take a photo, it was moving so fast it would have been blurred.  Why it ran across there instead of walking, I don’t know. It couldn’t have known of my presents as I would have been hidden from it and there was no wind for it to pick up my scent. 

It does seem typical of my luck in recent months when it comes to my photography – just not getting the breaks at the moment.

You can plan, be at the right place when you believe something might happen, research and gain knowledge about your subject, but at the end of the day luck can play a big part.  That special moment, the lighting just right, something you didn’t expect.  Having some good fortune helps.

Sunday, 19 July 2015

A Slow Summer

I don’t seem to be getting many breaks with my photography this summer.  I had planned a number of projects, starting with taking two weeks off in June to follow up a couple of those – a visit to the Farne Islands which I haven’t returned to for a couple of years, and something I’ve wanted to try out for a while, photographing the Milky Way, including a time elapse.  Unfortunately both of these required some decent weather particularly the latter of which clear night skies with little wind was a must.

The week leading up to the start of my holiday was perfect.  Warm weather, clear skies, then my time off.  A drop in temperature, cloudy, unsettled weather and windy.  No chance of a night shoot and even the visit to the Farnes was continually postponed as every time I prepared to go, the forecast changed to rain.  The last chance of a night shoot was the final Friday of my time off and even that then changed to forecasted over cast last minute!  Of course the very week I went back to work, was back to being perfect, sunny warm weather.

Since then the weather has been a mixed bag though remained warm but photo opportunities seem to be few and I have been going through a bit of a slump.  Below are the best of what I have taken.

Roe Deer;  Woodland wildlife

The Roe Deer above was taken just before I went on holiday.  Since then the weather has warmed up and added rain has meant mosquitoes are out in force now and a visit here now would mean being eaten alive by the little vampires!

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The warm weather and rain has also dramatically increased the length of grass.  The week before my holiday the grass at the location was short.  Two weeks later and it was over waist high in places.  I paid a number of visits to a place I will often see Foxes and on each occasion I new they were there due to the noise the Magpies were making but only caught a few glimpses of them due to the ‘jungle’ of grass.  On one occasion a Fox went pass me with metres but I didn’t even bother trying to track it with my camera as I wouldn’t have even have got a focus lock on it.  Most of the time though there could have been one there and I wouldn’t have even known due to the undergrowth.

I don’t know if the long grass was an advantage or disadvantage for the number of Rabbits about.  Obviously it was a food supply but whether it made them less easier to find by the Foxes in the same area, I don’t know.  I never saw a situation where both could be seen at the same time.

Jesmond Dene; Waterfall; Long Exposure
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A few other visits around, including Jesmond Dene and the river Derwent produced mediocre results for landscape opportunities.  I also hoped to catch some Kingfisher images but didn’t even catch sight of one, which is unusual.

St Marys Lighthouse; Coast
Seascape; Long Exposure
Seascape; Long Exposure

A visit to the coast at this time of year can be a nice walk but the harsh light leaves little photo opportunities unless you get up very early for a sunrise on these short summer days.

The first image is an example of harsh light on a bright day but the clouds help make for an interesting shot.  For the final two images I did get up quite early in the morning, unfortunately the tide was still low which, although I was expecting, what I wasn’t expecting was just how slippery the rocks were and didn’t want to risk walking the distance to the tidal edge and so had to wait for the tide to come to me, by which time the best of the light was lost.

Monday, 11 May 2015

Messing with Seascapes

It’s been a quiet year so far for photography.  Already it’s May and we’ve barely had two weeks of decent weather – and that fell during the week days and not at the week end!

I’ve been out only twice in the last month both times I wanted to experiment with taking seascapes and on the first occasion, as the forecast was for cloudy, misty weather, I thought it would make for some atmospheric images.  Up on location at the crack of dawn – blue skies and barely any clouds never mind any mist.  Not what I was hoping for but I thought I may as well made the most of it.

One thing I wanted to work on was to bracket my images – one over exposed, one under and one ‘correctly’ exposed.  I wanted to experiment with merging these images to create an image with more dynamic range without, hopefully, looking like HDR which I think looks awful for most landscapes.  Not sure how successful I was.  With the third image I also tried to give it a ‘film’ look with a more muted colours.  Other variations included long exposures and black and white conversion.

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Monday, 21 April 2014

Catching a Wave

A dull, overcast day is not ideal for wildlife photography but for landscape/seascapes the flat, diffused light can be good especially for using the long exposures.  Today was forecast was to be overcast until mid afternoon and with perfect tidal conditions (high tide on the going out), I packed light with just my 5D camera, a wide and short zoom lens, a ND graduated filter, 1 stop ND and 10 stop ND filter and headed to the coast.

I specifically wanted to make the most of this grey, flat lighting with the 10 stop ND filter which combined, can give some nice effects though it’s not to everyone's taste I know.

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When I arrived on location the tide had just turned and the waves were still crashing against the beach and the coastal defences, still I felt brave and found a reasonably sheltered location on the beach and set my camera up.  I managed to take two shots of which neither I was happy with – the better one above – before my nerves failed me.  The image below taken with my camera phone, gives an example of the waves hitting the shore close by while the main camera was taking the above image.  This was happening on both sides and I was more worried about the spray that was hitting around my camera which isn’t water resistant in any way, especially salt water.  The main image makes the scene look calm and tranquil and belies the reality of the situation.

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I decided to walk up along the beach looking for any other photo opportunities but, and I don’t say this often, unfortunately the sun started coming out and as the clouds started to disappear, so did the chances of achieving the shots I had hoped for.  I did stop off on a few occasions to take some shots right at the waters edge.  The idea of doing this kind of photography when the tide is going out is, at least theoretically, the waves coming in aren’t as strong as if the tide was coming in.  However, every now and then you do get one big wave which of course did happen.

I left my camera bag and filters out scattered at a place further up and moved down with my camera to take some ‘close ups’ of the waves coming in.  When you’re looking through a wide angle lens, everything looks much further away and one wave came quickly towards me and I just managed to get out of the way in time, only to see my bag further up get hit and the back wash made off with my filters though luckily not out to sea.  Luckily too, my bag was closed so the other lens was kept dry.

The final two images were taken at the end of the morning by which time the sun was quite strong, so despite the 10 stop ND filter enabling me to create exposures of over a minute and a half, the brightness and reflections ruined the mood I was hoping to create.

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Ironically, the last four times I have been to this location with the plan to photograph waders and under perfect conditions, there has been none.  Today, without any long lens at hand, the beach was full of Turnstones and Dunlins!

Despite the lack of any real success, I’m still pleasantly surprised by the Canon 5D which I have had now for over 6 years and still produces great images.  You read in the various online forums that the cheapest full frame camera is over £1000 but they don’t take into account second hand. Both this and the MkII I have seen sold at £350 and £800 respectively.